merry place

Crazy freak with no sense of dignity, living in my own universe - big, beautiful and imaginary.

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Some fragments from the Unusual Garments Series: Stick

oval bijou pendant, 2,5 x 2 cm, bijou necklace

(c) merry, 2012

 

description of the work and its concept:

Some fragments from the Unusual Garments Series: Stick

The changes of meaning that things, expressions or symbols undergo in culture in time are simply fascinating. These changes can be accelerated by new contexts. Also new contexts in itself means shifted or utterly new meaning for the original thing. Juxtaposition is always healthy for any standard or beaten track. As an Internet artist, I often work with appropriation and collective authorship – or, more precisely, “creative chains of work” – one person (or machine or medium) after another pushing the work by little pieces of their intervention further and further to its final shape. The unpredictable result makes the art more honest and closer to the culture.

I like to take on-line iconography and Internet art projects by other people and bring them to real life (by process called reverse remediation) by working on ongoing fashion collection Unusual Garments Series, consisting on designed clothing and garments of limited – always one peace only – collection of wearable artworks, that are distributed among people in my environment to be worn, worn down, aged and collected back for exhibitions. By this process, the work gain specific history, personality, touch of time (another piece of chain) and is ready to be conserved not only as artwork, but also as cultural artifact.

 

The whole Internet into a pendant.

The picture in the pendant depicts an art piece – stick made by Czech artist Martin Kohout. Kohout’s works are already multilayered, however in publication Linear Manual (TLTR Preß & PAF, 2012), that could be itself perceived as an analogy of the very Internet structure[1] and reveals around the theme of sticks – and this particular work especially – through semantic transfer (like the one mentioned above) the stick became a symbol of the Internet. Very heavy symbol. Since I’ve read the book, this particular piece of artwork – Kohout’s stick – represent whole Internet for me. Internet, the only common belief we all share and pray to every day, had suddenly its religious Icon. I’ve decided to use those religious feelings and enable also others to have a religious Icon of the Internet, as they used to have religious pendants with saints  when they were Christians (in Czech Republic, majority of people are atheists nowadays and it is not common to wear religious pieces of jewelry any more).

To make it more spiritual and closer to the Overmind, it had to be collective (creative-chain) work. So I bought a material for a pendant, found on Internet gallery of photographs from Martin Kohout’s exhibition in Prague also containing the Stick class A series, that took somebody during the opening and put them online, and sent my friend who makes pendants as a hobby the link to this photo gallery and the material for a pendant. With no further information, she had to choose whatever piece she liked for the pendant and sent it back to me.

Since that I am putting the work into various contexts to observe the interplay with the environment, experimenting with its highly religious meaning. Unsurprisingly, as with other religious Icons, the meaning is firmly fixed forever.

[1] See MEIXNEROVÁ, Marie. „If you hate Internet, don’t even try to like this book. JUNK JET N°6 & Linear Manual review.“ [on-line] Movie magazine 25fps, www.25fps.cz. 14. 03. 2013. http://25fps.cz/2013/junk-jet-n6-linear-manual/.

Result of one of my past curatorial activities

/Dec 2012 - curating programme of one of the festival sections (NetArt) @11th Festival of Film Animation, Olomouc, Czech Republic (www.pifpaf.cz) + exhibition in nearby gallery and a group show “Home Page Installation” at festival premises, both as part of the festival programme.

 

vjtexa:

PAF: NET ART

Přehlídka Animovaného Filmu Olomouc, 2012

Možná je tma, ale já ji nevidím - přehlídka současného českého netartu

poslechněte si čajovnu / interview

podívejte se na prezentaci The Rodina pro PAF

Grafické studio The Rodina sází (vejce) na indukční vařič. Pochopili, že popularita kuchyňských pořadů je využitelná i v hipster světě a z prezentace vlastní tvorby je potřeba udělat pořádně osolenou show. Zatímco Vít Musil vaří a rozdává občerstvení sálu, představuje Tereza Rullerová (známá jako Vjka Texa) Ventolinovo nové album Totem, kterému studio vytvořilo vizuální podobu. Také přináší duchovní důkaz toho, že se The Rodinanevzdaluje ani internetovému prostředí. Přes všechna grafická podloží funguje totiž také jako ekumenické hnutí šířící víru v Boha internetu, čemuž nezbývá než dát “like” a zbavit se tak pár hříchů.

kurátorka: Marie Meixnerová

text: Štěpánka Ištvánková, foto: J. Volejník

spreadshirt

Designed edition of T-Shirts by (c) merry

Perfectly found #1 and #2

guerilla curating by (c) merry 

 

 Yyyou IL l*ve (gestures for Lorna Mills and Anthony Antonellis)Gridr by (c) merry, Wednesday 2013

Yyyou IL l*ve (gestures for Lorna Mills and Anthony Antonellis)
Gridr by (c) merry, Wednesday 2013

New video by (c) merry just uploaded on YT

working title: Jiří Menzel aka TELEFILIA by (c) merry

Featuring also some projects by (c) merry!
I Like it, Tweet It, guerilla curating on Netarty fb page and my 2013 Welcome Future facebook performance on my fb page. LOL!

netarty:

Facebook: sociální síť jako prostor pro umění
(Facebook as artspace)
Yesterday released Czech article dealing with facebook as space for art, featuring dozens of influential artists. There is a certain promise that it will be released also in English (in time), so far, we have to satisfy with its google translation
http://translate.google.com/translate?hl=en&ie=UTF8&u=http%3A%2F%2F25fps.cz%2F2013%2Ffacebook-jako-prostor-pro-umeni%2F

Featuring also some projects by (c) merry!

I Like it, Tweet It, guerilla curating on Netarty fb page and my 2013 Welcome Future facebook performance on my fb page. LOL!

netarty:

Facebook: sociální síť jako prostor pro umění

(Facebook as artspace)

Yesterday released Czech article dealing with facebook as space for art, featuring dozens of influential artists. There is a certain promise that it will be released also in English (in time), so far, we have to satisfy with its google translation

http://translate.google.com/translate?hl=en&ie=UTF8&u=http%3A%2F%2F25fps.cz%2F2013%2Ffacebook-jako-prostor-pro-umeni%2F

Advice #1: How to ensnare a man (installation in gallery space)

1. rada jak polapit muže
(c) merry 1994/2012/2013

on view for the 1st time at

Podhoubí » Fillovka Open, Galerie Emila Filly, Ústí nad Labem, Czech Republic (http://www.gef.cz/)

7. 2. – 27. 2. 2013

Opening: Wednesday 6. 2. 2013, 6pm

The Wall, (c) merry 2013

(pencil, Berlin Wall)

conceptualizing history

Some shots from guerilla curating

guerilla curating by (c) merry

Since my new year’s resolution was to create a new hobby of mine: guerilla curating, I started first with the Netarty facebook page.

For now on (and even retrospectively applied to works exhibited before), the Wall Cover and avatar of the page will be subject of mine guerilla curating

for more (and the list of artists exhibited so far) see: http://www.facebook.com/netarty/info

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Guerilla curating is however not bound only to on-line space. Originally, the idea was created for physical space.

During the next year, I’ll guerrila curate everything. Your desktop. Your toilet paper. Your gallery. Your Bus ticket. Even your dreams.


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Guerilla curating is using pictures without permission. Guerilla curating is mashing the works together. Guerilla curating is showing works of other artists I like the way I like. Guerilla curating just crossed my mind.


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(c) merry